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Grade 6 Fine Arts NJSLS Standards

326 standards - New Jersey NJSLS

These are the official Grade 6 Fine Arts New Jersey NJSLS — the exact codes and student expectations grade 6 teachers are required to teach and NJSLA assesses. Browse every standard below, then generate a print-ready, NJSLS-aligned worksheet, lesson plan, exit ticket, or assessment for any of them in seconds.

Standards

1.3B.12acc.Cn10a

Demonstrate how interests, knowledge, and skills relate to personal choices and intent when creating, performing and responding to music.

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1.3B.12acc.Cn11a

Demonstrate how interests, knowledge and skills relate to personal choices and intent when creating, performing and responding to music.

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1.3B.12adv.C1a

Demonstrate how interests, knowledge and skills related to personal choices and intent when creating, performing and responding to music

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1.3B.12adv.C1a

Demonstrate how interests, knowledge, and skills related to personal choices and intent when creating, performing and responding to music.

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1.3B.12prof.Cn10a

Demonstrate how interests, knowledge, and skills relate to personal choices and intent when creating, performing, and responding to music.

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1.3B.12prof.Cn11a

Demonstrate how interests, knowledge and skills relate to personal choices and intent when creating, performing and responding to music.

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1.3C.12int.Cn10a

Demonstrate understanding of relationships between music and the other arts, other disciplines, varied contexts, and daily life.

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1.3C.12int.Cn11a

Demonstrate understanding of relationships between music and the other arts, other disciplines, varied contexts, and daily life.

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1.3C.12nov.Cn10a

Demonstrate understanding of relationships between music and the other arts, other disciplines, varied contexts, and daily life.

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1.3C.12nov.Cn11a

Demonstrate understanding of relationships between music and the other arts, other disciplines, varied contexts and daily life.

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1.3D.12acc.Cr1a

Create melodic, rhythmic and harmonic ideas for compositions (e.g., rounded binary, rondo), improvisations, accompaniment patterns in a variety of styles, as well as harmonization for given melodies.

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1.3D.12acc.Cr2a

Use standard notation and audio/video recording to document melodic, rhythmic and harmonic ideas for drafts of compositions (e.g., rounded binary, rondo), improvisations, accompaniment patterns in a variety of styles, as well as harmonization for given melodies.

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1.3D.12acc.Cr3a

Develop and apply criteria to critique, improve and refine drafts of compositions (e.g., rounded binary, rondo), improvisations, accompaniment patterns in a variety of styles, and harmonization for given melodies

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1.3D.12acc.Cr3b

Perform final versions of compositions (e.g., rounded binary, rondo), improvisations, accompaniment patterns in a variety of styles, as well as harmonization for given melodies, demonstrating technical skill in applying principles of composition, improvisation and originality.

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1.3D.12acc.Pr4a

Develop and apply criteria for selecting a varied collection of music for individual and small group performances that include melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of styles.

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1.3D.12acc.Pr4b

Identify and describe important theoretical and structural characteristics and context (e.g., social, cultural, historical) in a varied collection of music that includes melodies, repertoire pieces, improvisations and chordal accompaniments in a variety of styles.

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1.3D.12acc.Pr4c

Demonstrate and explain an understanding of the context (e.g., social, cultural, historical) and expressive intent in a varied collection of music selected for performance that includes melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of styles.

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1.3D.12acc.Pr5a

Develop and apply criteria to critique individual and small group performances of a varied collection of music that includes melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of styles, as well as create rehearsal strategies to address performance challenges and refine the performances.

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1.3D.12acc.Pr6a

Perform with expression and technical accuracy, individually and in small groups, a varied collection of music that includes melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of styles, while demonstrating sensitivity to the audience and an understanding of the context (e.g., social, cultural, historical).

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1.3D.12acc.Re7a

Apply criteria to select music for a variety of purposes, justifying choices citing knowledge of music and specified purpose and context.

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1.3D.12acc.Re7b

Apply personally developed criteria based on research, personal preference, analysis, interpretation, expressive intent, and musical qualities to evaluate contrasting individual and small group musical selections for listening.

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1.3D.12acc.Re8

Explain and support interpretations of the expressive intent and meaning of musical selections, citing as evidence the treatment of the elements of music, context (e.g., personal, social, cultural), the setting of the text (when appropriate), and varied researched sources.

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1.3D.12acc.Re9a

Explain how the analysis of the structures and context (e.g., social, cultural, historical) of contrasting musical selections informs the response.

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1.3D.12adv.Cr1a

Create melodic, rhythmic and harmonic ideas for a collection of compositions and improvisations in a variety of styles, as well as stylistically appropriate harmonization for given melodies.

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1.3D.12adv.Cr2a

Use standard notation and audio/video recording to document melodic, rhythmic and harmonic ideas for drafts of compositions and improvisations in a variety of styles as well as stylistically appropriate harmonization for given melodies.

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1.3D.12adv.Cr3a

Develop and apply criteria to critique, improve, and refine drafts of compositions and improvisations in a variety of styles, as well as stylistically appropriate harmonization for given melodies.

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1.3D.12adv.Cr3b

Perform final versions of a collection of compositions and improvisations in a variety of styles, as well as stylistically appropriate harmonization for given melodies, demonstrating technical skill in applying principles of composition, improvisation and originality.

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1.3D.12adv.Pr4a

Develop and apply criteria for selecting a variety of pieces for a program of music for individual and small group performances that include melodies, repertoire pieces, stylistically appropriate accompaniments, and improvisations in a variety of contrasting styles.

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1.3D.12adv.Pr4b

Identify and describe important theoretical and structural characteristics and context (e.g., social, cultural, historical) in a varied collection of music selected for performance programs that includes melodies, repertoire pieces, stylistically appropriate accompaniments, and improvisations in a variety of contrasting styles.

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1.3D.12adv.Pr4c

Explain and present an understanding of the context (e.g., social, cultural, historical) and the creator’s intent in a varied collection of music for performance programs that include melodies, repertoire pieces, stylistically appropriate accompaniments, and improvisations in a variety of contrasting styles.

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1.3D.12adv.Pr5a

Develop and apply criteria, including feedback from multiple sources, to critique varied collection of music for performance programs (e.g., melodies, repertoire pieces, stylistically appropriate accompaniments, improvisations in a variety of contrasting styles) selected for individual and small group performance, as well as create rehearsal strategies to address performance challenges and refine the performances.

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1.3D.12adv.Pr6a

Perform with expression and technical accuracy, individually and in small groups, a varied collection of music for performance programs that includes melodies, repertoire pieces, stylistically appropriate accompaniments, and improvisations in a variety of contrasting styles, while demonstrating sensitivity to the audience and an understanding of the context (e.g., social, cultural, historical).

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1.3D.12adv.Re7a

Select, describe and compare a variety of individual and small group musical programs from varied cultures, genres and historical periods.

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1.3D.12adv.Re7b

Develop and justify evaluations of a variety of individual and small group musical selections for listening based on personally developed and established criteria, personal decision making, and knowledge and understanding of context.

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1.3D.12adv.Re8

Establish and justify interpretations of the expressive intent and meaning of musical selections by comparing and synthesizing varied researched sources, including references to other art forms

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1.3D.12adv.Re9a

Demonstrate and justify how the structure functions within a variety of musical selections, and distinguish how context (e.g., social, cultural, historical) and creative decisions inform the response.

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1.3D.12int.Cr1a

Create melodic, rhythmic and harmonic ideas for melodies over specified chord progressions or AB/ABA forms as well as two to three-chord accompaniments for given melodies.

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1.3D.12int.Cr2a

Use standard notation and audio/video recording to document melodic, rhythmic and harmonic ideas for drafts of melodies over specified chord progressions or AB /ABA forms as well as two-to-three-chord accompaniments for given melodies.

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1.3D.12int.Cr3a

Apply teacher or student-provided criteria to critique, improve and refine drafts of melodies over specified chord progressions or AB/ABA forms as well as two-to-three-chord accompaniments for given melodies.

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1.3D.12int.Cr3b

Share final versions of melodies over specified chord progressions or AB/ABA forms as well as two-to-three-chord accompaniments for given melodies, demonstrating an understanding of how to develop and organize personal musical ideas.

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1.3D.12int.Pr4a

Describe and demonstrate how a varied collection of music that includes melodies, repertoire pieces and chordal accompaniments is selected, based on personal interest, music reading skills, identified technical challenges that need to be addressed, and the performance context.

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1.3D.12int.Pr4b

Identify prominent melodic, harmonic, and structural characteristics and context (e.g., social, cultural, historical) in a varied collection of music that includes melodies, repertoire pieces and chordal accompaniments selected for performance, including some based on reading standard notation.

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1.3D.12int.Pr4c

Demonstrate and describe an understanding of the context (e.g., social, cultural, historical) and expressive intent in a varied collection of music selected for performance that includes melodies, repertoire pieces and chordal accompaniments

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1.3D.12int.Pr5a

Apply teacher or student-provided criteria to critique individual performances of a varied collection of music that includes melodies, repertoire pieces and chordal accompaniments selected for performance. Identify practice strategies to address performance challenges and refine the performances.

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1.3D.12int.Pr6a

Perform with expression and technical accuracy a varied collection of music that includes melodies, repertoire pieces and chordal accompaniments, while demonstrating sensitivity to the audience and an understanding of the context (e.g., social, cultural, historical).

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1.3D.12int.Re7a

Explain the reasons for selecting music citing characteristics found in the music and connections to interest, purpose and context.

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1.3D.12int.Re7b

Explain the influence of experiences and contexts (e.g., personal, social, cultural) on interest in and the evaluation of a varied repertoire of music.

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1.3D.12int.Re8a

Identify and support interpretations of the expressive intent and meaning of musical selections, citing as evidence the treatment of the elements of music, context, and the setting of the text (when appropriate).

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1.3D.12int.Re9a

Describe how the elements of music are manipulated and knowledge of the context (e.g., social, cultural) informs the response.

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1.3D.12nov.Cr1a

Create melodic, rhythmic and harmonic ideas for simple melodies as well as chordal accompaniments for given melodies.

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1.3D.12nov.Cr2a

Use standard notation or audio/video recording to document melodic, rhythmic and harmonic ideas for drafts of simple melodies as well as chordal accompaniments for given melodies.

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1.3D.12nov.Cr3a

Apply teacher or student-provided criteria to critique, improve and refine drafts of simple melodies as well as chordal accompaniments for given melodies.

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1.3D.12nov.Cr3b

Share final versions of simple melodies and chordal accompaniments for given melodies, demonstrating an understanding of how to develop and organize personal musical ideas.

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1.3D.12nov.Pr4a

Describe and demonstrate how a varied collection of music that includes melodies, repertoire pieces, and chordal accompaniments is selected, based on personal interest, music reading skills, technical skill, and the performance context.

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1.3D.12nov.Pr4b

Identify prominent melodic and harmonic characteristics in a varied collection of music that includes melodies, repertoire pieces and chordal accompaniments selected for performance, including some based on reading standard notation.

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1.3D.12nov.Pr4c

Demonstrate and describe an understanding of the context and expressive intent in a varied collection of music selected for performance that includes melodies, repertoire pieces and chordal accompaniments.

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1.3D.12nov.Pr5a

Apply teacher or student-provided criteria to critique individual performances of a varied collection of music that includes melodies, repertoire pieces and chordal accompaniments selected for performance. Apply practice strategies to address performance challenges and refine the performances.

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1.3D.12nov.Pr6a

Perform with expression and technical accuracy a varied collection of music that includes melodies, repertoire pieces and chordal accompaniments, while demonstrating an understanding of the audience and the context.

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1.3D.12nov.Re7a

Identify reasons for selecting music based on characteristics found in the music, connection to interest and purpose or context.

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1.3D.12nov.Re7b

Identify and describe how interest, experiences and contexts (e.g., personal, social) effect the evaluation of music.

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1.3D.12nov.Re8a

Identify interpretations of the expressive intent and meaning of musical selections, referring to the elements of music, context (e.g., personal, social), and the setting of the text (when appropriate).

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1.3D.12nov.Re9a`

Identify how knowledge of context and the use of repetition, similarities and contrasts inform the response to music.

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1.3D.12prof.Cr1a

Create melodic, rhythmic and harmonic ideas for improvisations, compositions (e.g., theme and variation, 12-bar blues), as well as three-or-more-chord accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, finger picking patterns).

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1.3D.12prof.Cr2a

Use standard notation and audio/video recording to document melodic, rhythmic and harmonic ideas for drafts of improvisations, compositions (e.g., theme and variation, 12-bar blues), as well as three-or-more- chord accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, finger picking patterns)

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1.3D.12prof.Cr3a

Develop and apply criteria to critique, improve and refine drafts of improvisations, compositions (e.g., theme and variation, 12-bar blues), as well as three-or-morechord accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, fingerpicking patterns).

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1.3D.12prof.Cr3b

Perform final versions of improvisations, compositions (e.g., theme and variation, 12-bar blues), and three-or-more-chord accompaniments in a variety of patterns (e.g. arpeggio, country and gallop strumming, fingerpicking patterns), demonstrating technical skill in applying principles of composition, improvisation and originality.

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1.3D.12prof.Pr4a

Explain the criteria used when selecting a varied collection of music for individual or small group performances that include melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, finger picking patterns).

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1.3D.12prof.Pr4b

Identify and describe important theoretical and structural characteristics and context (e.g., social, cultural, historical) in a varied collection of music that includes melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, finger picking patterns).

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1.3D.12prof.Pr4c

Demonstrate and describe an understanding of the context (e.g., social, cultural, historical) and expressive intent in a varied collection of music selected for performance that includes melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, finger picking patterns).

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1.3D.12prof.Pr5a

Develop and apply criteria to critique individual and small group performances of a varied collection of music that includes melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, fingerpicking patterns). Create rehearsal strategies to address performance challenges and refine the performances.

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1.3D.12prof.Pr6a

Perform with expression and technical accuracy, individually and in small groups, a varied collection of music that includes melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, finger picking patterns), while demonstrating sensitivity to the audience and an understanding of the context (e.g., social, cultural, historical).

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1.3D.12prof.Re7a

Apply criteria to select music for specified purposes, supporting choices by citing characteristics found in the music and connections to interest, purpose and context.

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1.3D.12prof.Re7b

Develop and apply teacher or student-provided criteria based on personal preference, analysis and context (e.g., personal, social, cultural) to evaluate individual and small group musical selections for listening.

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1.3D.12prof.Re8a

Explain and support interpretations of the expressive intent and meaning of musical selections, citing as evidence the treatment of the elements of music, context (e.g., personal, social, cultural), the setting of the text (when appropriate), and outside sources.

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1.3D.12prof.Re9a

Compare passages in musical selections and explain how the elements of music and context (e.g., social, cultural, historical) inform the response.

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N-10FX8

Novice

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N-10QES

Performing

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N-11TP0

Proficient

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N-12FB4

Accomplished

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N-12PQR

Accomplished

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N-13SSX

Organizing and developing ideas.

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N-14V91

Proficient

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N-15V1S

Intermediate

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N-16N21

Selecting, analyzing and interpreting work.

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N-177NW

Proficient

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N-17OF8

Intermediate

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N-188CW

Advanced

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N-1ACEX

Advanced

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N-1AZGQ

Advanced

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N-1B19F

Advanced

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N-1D3LJ

Applying criteria to evaluate products.

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N-1DA48

Intermediate

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N-1EAFE

Intermediate

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N-1IL2W

Advanced

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N-1IXZK

Novice

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N-1J1EK

Perceiving and analyzing products

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N-1J59O

Proficient

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N-1JRWO

Novice

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N-1KP33

Intermediate

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N-1LJKH

Intermediate

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N-1MMSQ

Relating artistic ideas and works within societal, cultural and historical contexts to deepen understanding

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N-1MYFZ

Accomplished

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N-1NTKZ

Accomplished

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N-1NZD3

Novice

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N-1P5W7

Accomplished

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N-1QOA5

Accomplished

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N-1RKBQ

Novice

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N-1RSJW

Advanced

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N-1S6HH

Novice

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N-1SDP5

Synthesizing and relating knowledge and personal experiences to create products.

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N-1VQX1

Advanced

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N-1XFX4

Developing and refining techniques and models or steps needed to create products.

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N-1XII3

Interpreting intent and meaning.

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N-1YJ7R

Proficient

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N-1YPKA

Proficient

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N-1YXQ1

Intermediate

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N-3IYM4

Proficient

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N-4QO56

Accomplished

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N-54UHG

Advanced

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N-6JGTD

Accomplished

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N-70HJ2

Creating

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N-8ESSG

Proficient

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N-C8S3P

Advanced

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N-EA9VG

Intermediate

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N-HWNJ4

Intermediate

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N-I8BMO

Novice

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N-J1L7A

Novice

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N-JRIDJ

Generating and conceptualizing ideas.

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N-K0KNH

Intermediate

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N-KFAUH

Novice

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N-KLONZ

Accomplished

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N-L3YKI

Accomplished

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N-MKT1K

Proficient

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N-MNWYP

Accomplished

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N-OS9B9

Advanced

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N-OTNSS

Conveying meaning through art

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N-PH9JK

Novice

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N-PP93R

Responding

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N-QFMSU

Intermediate

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N-QXG96

Proficient

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N-RFJK0

Refining and completing products.

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N-TQUU5

Connecting

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N-VBLSL

Proficient

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N-XXR0A

Advanced

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N-ZLYCS

Novice

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1.3A.8.Cn10a

Demonstrate how interests, knowledge and skills related to personal choices and intent when creating, performing, and responding to music.

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1.3A.8.Cn11a

Demonstrate understanding of relationships between music and the other arts, other disciplines, varied contexts, and daily life.

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1.3A.8.Cr1a

Generate and improvise rhythmic, melodic and harmonic phrases and harmonic accompaniments within basic forms (e.g., AB, ABA, Theme & Variations) and expanded forms (e.g., introductions, transitions, codas) that convey expressive intent. Explain connection to specific purpose and context (e.g., social, cultural, historical).

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1.3A.8.Cr2a

Select, organize and document personal musical ideas for arrangements, songs and compositions within expanded forms that demonstrate concepts such as tension and release, unity and variety, balance, and convey expressive intent.

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1.3A.8.Cr2b

Use standard and/or iconic notation and/or recording technology to document personal rhythmic phrases, melodic phrases and harmonic sequences.

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1.3A.8.Cr3a

Evaluate, refine and explain their own work by selecting and applying criteria including appropriate application of elements of music, compositional techniques, style and form, and use of sound sources.

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1.3A.8.Cr3b

Present the final versions of documented personally and collaboratively created music that demonstrates craftsmanship and originality to others. Apply compositional techniques to achieve unity and variety, tension and release, and balance to convey expressive intent.

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1.3A.8.Pr4a

Apply collaboratively and personally developed criteria for selecting music of contrasting styles for performance and explain expressive qualities, technical challenges and reasons for choices.

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1.3A.8.Pr4b

Compare the structure of contrasting pieces of music selected for performance, explaining how the elements of music are used in each.

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1.3A.8.Pr4c

Analyze selected music by sight-reading in treble or bass clef using simple rhythmic, melodic and/or harmonic notation.

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1.3A.8.Pr4d

Identify and explain how cultural and historical context inform performances and result in different musical effects.

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1.3A.8.Pr4e

Perform contrasting pieces of music, demonstrating as well as explaining how the music’s intent is conveyed by their interpretations of the elements of music and expressive qualities (e.g., dynamics, tempo, timbre, articulation/style, phrasing).

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1.3A.8.Pr5a

Identify and apply personally developed criteria (e.g., demonstrating correct interpretation of notation, technical skill of performer, originality, emotional impact, variety, interest) to rehearse, refine and determine when the music is ready to perform.

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1.3A.8.Pr6a

Perform music with technical accuracy, stylistic expression and culturally authentic practices to convey the creator’s intent.

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1.3A.8.Pr6b

Demonstrate performance decorum (e.g., stage presence, attire, behavior) and audience etiquette appropriate for venue, purpose, context, and style.

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1.3A.8.Re7a

Select programs of music (e.g., a playlist, live performance) and demonstrate the connections to an interest or experience for a specific purpose.

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1.3A.8.Re7b

Classify and compare how the elements of music and expressive qualities relate to the structure within programs of music (e.g., a playlist, live performance).

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1.3A.8.Re7c

Identify and compare the context of programs of music from a variety of genres, cultures and historical periods.

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1.3A.8.Re8a

Apply appropriate personally developed criteria to evaluate musical works or performances.

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1.3A.8.Re9a

Support with evidence personal interpretation of contrasting programs of music and explain how the application of the elements of music and expressive qualities, within genres, cultures and historical periods convey expressive intent.

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N-13VX4

Generating and conceptualizing ideas.

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N-18JYE

Applying criteria to evaluate products.

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N-18LZK

Performing

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N-1AR1P

Creating

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N-1NB38

Interpreting intent and meaning.

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N-1PUM0

Relating artistic ideas and works within societal, cultural and historical contexts to deepen understanding.

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N-1SJW5

Conveying meaning through art.

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N-8SRUB

Organizing and developing ideas.

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N-HDP70

Connecting

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N-HP8GE

Developing and refining techniques and models or steps needed to create products.

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N-LK1AP

Synthesizing and relating knowledge and personal experiences to create products.

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N-MUHH3

Responding

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N-QBJE1

Refining and completing products

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N-RNID8

Selecting, analyzing, and interpreting work

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N-WD9HE

Perceiving and analyzing products.

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1.1.8.Cn10a

Explain how the perspectives expressed by the choreographer impact personal interpretation. Consider how personal background and experiences influence responses to dance works.

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1.1.8.Cn10b

Employ a variety of research methods to inform the development of original dances about global issues, including climate change. Articulate ways the research deepened understanding of the topic and how big ideas are expressed metaphorically through dance.

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1.1.8.Cn11a

Research and analyze how dances from a variety of cultures, societies, historical periods, or communities reveal the ideas and perspectives of the people from whom the dances originate.

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1.1.8.Cr1a

Implement movement created from a variety of stimuli (e.g., music, sound, literary forms, notation, natural phenomena, experiences, current news, social events) to develop an original dance study.

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1.1.8.Cr1b

Explore various movement genres though the elements of dance. Identify and select personal preferences to create an original dance study.

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1.1.8.Cr2a

Demonstrate a variety of choreographic devices and dance structures (e.g., ABA, palindrome, theme and variation, rondo, retrograde, inversion, narrative, accumulation), to collaboratively develop a dance study with a clear artistic intent. Use dance terminology to articulate and justify reasons for movement choices.

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1.1.8.Cr2b

Establish criteria to choreograph a dance that communicates personal, historical, sociopolitical, or cultural meaning. Articulate how the criteria clarify or intensify the artistic intent

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1.1.8.Cr3

Revise choreography collaboratively or independently based on artistic criteria, self reflection and the feedback of others. Explain movement choices and revisions and how they impact the artistic intent.

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1.1.8.Cr3b

Record changes in a dance sequence through writing and/or drawing (e.g., directions, spatial pathways, relationships) using dance notations symbols, or forms of media technology.

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1.1.8.Pr4a

Perform planned and improvised movement sequences with increasing complexity in the use of floor and air pathways, including various spatial designs for movement interest and contrast to sculpt the body in space.

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1.1.8.Pr4b

Perform planned and improvised movement sequences of varying lengths with increasing complexity in the use of metric, kinesthetic and breath phrasing.

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1.1.8.Pr4c

Perform planned and improvised movement sequences and dance combinations applying dynamic phrasing, energy, emotional intent, and characterization.

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1.1.8.Pr5a

Examine how healthful strategies (e.g., nutrition, injury prevention, emotional health, overall functioning) and safe body-use practices are essential for the dancer.

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1.1.8.Pr5b

Examine how kinesthetic principles and various body systems (e.g., cardiovascular, respiratory, musculoskeletal) relate to the dancing body

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1.1.8.Pr5c

Demonstrate use of elongated spine and engage in release of tension from spine/shoulders. Demonstrate the placement and shifting of energy in the body. Use vertical, off-center and nonvertical alignment. Maintain organization of the body while moving through space.

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1.1.8.Pr5d

Explore movement that develops a wide range of motion, muscular flexibility, strength, and endurance. Explore different body conditioning techniques (e.g., yoga, weight training, aerobics, Pilates).

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1.1.8.Pr5e

Transfer vocabulary and codified movements from various styles/genres with genre specific alignment. Demonstrate, through focused practice and repetition, breath control, body part initiation and body sequencing.

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1.1.8.Pr6a

Investigate visualization, motor imagery and breath to apply and enhance the quality of body mechanics and the energy related to the movement skill.

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1.1.8.Pr6b

Apply specific feedback in rehearsal to refine performance accuracy, consistency and expressiveness. Clarify the execution of complex patterns, sequences and formations.

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1.1.8.Pr6c

Apply feedback to make changes to and adapt movements to performance area. Use performance etiquette and performance practices during class, rehearsal and performance. Accept notes from the choreographer, apply corrections and document performance process using dance and production terminology. Analyze and evaluate the success of a performance.

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1.1.8.Pr6d

Differentiate technical and production elements and terminology to communicate with performers and backstage personnel to enhance the artistic intent of the dances.

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1.1.8.Re7a

Use genre-specific terminology to compare and contrast recurring patterns of movement and their relationships in dance in the context of artistic intent.

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1.1.8.Re7b

Use genre-specific dance terminology. Explain how the elements of dance are used and how they differ in a variety of genres, styles, or cultural movement practices to communicate intent. Use genre-specific dance terminology.

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1.1.8.Re8a

Examine a dance and explain how artistic expression is achieved through relationships among the elements of dance, use of body, dance technique, and context. Interpret using genre specific dance terminology.

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1.1.8.Re9a

Examine artistic criteria to determine what makes an effective performance. Consider content, context, genre, style, and /or cultural movement practice to comprehend artistic expression. Use genre-specific dance terminology.

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N-1DRV4

Connecting

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N-1G91L

Organizing and developing ideas.

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N-1SO51

Synthesizing and relating knowledge and personal experiences to create products.

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N-1XXLW

Refining and completing products.

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N-1Y3AE

Responding

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N-6WSJS

Developing and refining techniques and models or steps needed to create products.

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N-DVEVX

Generating and conceptualizing ideas.

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N-E98CB

Applying criteria to evaluate products.

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N-FK7PM

Relating artistic ideas and works within societal, cultural, and historical contexts to deepen understanding

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N-IX9JK

Perceiving and analyzing products.

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N-JTX7E

Interpreting intent and meaning.

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N-N3LOU

Conveying meaning through art.

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N-T96YK

Selecting, analyzing, and interpreting work.

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N-YJYTL

Create

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1.2.8.Cn10a

Access, evaluate and use internal and external resources to inform the creation of media artworks, such as cultural and societal knowledge, research and exemplary works.

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1.2.8.Cn10b

Explain and demonstrate how media artworks expand meaning and knowledge and create cultural experiences, such as local and global events.

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1.2.8.Cn11a

Access, evaluate and use internal and external resources and context to inform the creation of media artworks (e.g., cultural and societal knowledge, research, exemplary works)

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1.2.8.Cn11b

Explain and demonstrate how media artworks expand meaning and knowledge, and create cultural experiences (e.g., via local and global events considering fair use and copyright, ethics, media literacy).

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1.2.8.Cr1a

Generate a variety of ideas, goals and solutions for media artworks using creative processes such as sketching, brainstorming, improvising, and prototyping with increased proficiency, divergent thinking, and opportunity for student choice.

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1.2.8.Cr1b

Organize and design artistic ideas for media arts productions.

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1.2.8.Cr1c

Critique plans, prototypes and production processes considering purposeful and expressive intent.

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1.2.8.Cr2a

Organize and design artistic ideas for media arts productions

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1.2.8.Cr2b

Critique plans, prototypes and production processes considering purposeful and expressive intent.

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1.2.8.Cr3a

Experiment with and implement multiple approaches that integrate content and stylistic conventions.

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1.2.8.Cr3b

Communicate an intentional purpose and meaning utilizing varying point of view and perspective.

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1.2.8.Cr3c

Refine and modify artistic choices to reflect an understanding of purpose, narrative structures, composition, audience, and context.

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1.2.8.Pr4a

Experiment with and integrate multiple forms, approaches and content to coordinate, produce and implement media artworks that convey purpose and meaning (e.g., narratives, video games, interdisciplinary projects, multimedia theatre).

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1.2.8.Pr5a

Develop and demonstrate a variety of artistic, design, technical, and soft skills (e.g., self-initiative, problem solving, collaborative communication) through performing various roles in producing media artworks.

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1.2.8.Pr5b

Develop and demonstrate creativity and adaptability, through processes such as testing constraints and divergent solutions, within and through media arts productions.

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1.2.8.Pr5c

Develop and demonstrate creativity and adaptability in standard and experimental ways, to construct, achieve assigned purpose, and communicate intent in media artworks.

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1.2.8.Pr6a

Analyze and design various presentation formats and tasks in the presentation and/or distribution of media artworks.

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1.2.8.Pr6b

Analyze benefits and impacts from presenting media artworks

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1.2.8.Re7a

Compare, contrast and analyze the qualities of and relationships between the components and style in media artworks.

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1.2.8.Re7b

Compare, contrast and analyze how various forms, methods and styles in media artworks affect and manage audience experience and create intention when addressing global issues including climate change.

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1.2.8.Re8a

Analyze the intent and meanings and context of a variety of media artworks, focusing on intentions, forms, and detect bias, opinion, and stereotypes.

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1.2.8.Re9a

Evaluate media art works and production processes at decisive stages, using identified criteria, and considering context and artistic goals.

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N-114YM

Developing and refining techniques and models or steps needed to create products.

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N-1AQOW

Creating

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N-1JUZK

Perceiving and analyzing products.

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N-1QCS1

Connecting

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N-1RGHK

Interpreting intent and meaning.

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N-1S0S5

Refining and completing products

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N-1V5BQ

Relating artistic ideas and works within societal, cultural, and historical contexts to deepen understanding.

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N-1Y398

Synthesizing and relating knowledge and personal experiences to create products.

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N-AFZ5J

Applying criteria to evaluate products.

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N-BYZQD

Producing

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N-ETL86

Conveying meaning through art.

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N-EVJX1

Responding

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N-EXQXK

Organizing and developing ideas.

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N-HSINX

Selecting, analyzing and interpreting work.

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N-XCSKJ

Generating and conceptualizing ideas.

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1.4.8.Cn10a

Examine a community issue through multiple perspectives in a theatrical work.

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1.4.8.Cn11a

Research the story elements of a staged drama/theatre work about global issues, including climate change, and discuss how a playwright might have intended a theatrical work to be produced.

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1.4.8.Cn11b

Identify and examine artifacts from a time period and geographic location to better understand performance and design choices in a theatrical work.

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1.4.8.Cr1a

Identify, explore and imagine multiple solutions and strategies in staging problems in a theatrical work.

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1.4.8.Cr1b

Identify, imagine and practice solving multiple design/technical challenges of a performance space in a theatrical work.

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1.4.8.Cr1c

Explore, describe and develop given circumstances of a scripted or improvised character in a theatrical work.

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1.4.8.Cr2a

Articulate and apply critical analysis, extensive background knowledge, sociohistorical research, and cultural context related to existing or developing original theatrical work.

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1.4.8.Cr2b

Actively contribute ideas and creatively incorporate the ideas of others in existing or original theatrical work, demonstrating mutual respect for self and others and their roles sharing leadership and responsibilities in preparing or devising theatre.

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1.4.8.Cr3a

Demonstrate focus and concentration in the rehearsal process by analyzing and refining choices in a devised or scripted theatre performance.

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1.4.8.Cr3b

Implement and refine a planned technical design using simple technology during the rehearsal process for devised or scripted theatre work.

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1.4.8.Cr3c

Develop effective physical and vocal traits of characters in an improvised or scripted theatrical work.

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1.4.8.Pr4a

Rehearse a variety of acting techniques to increase skills in a rehearsal or theatrical performance that assist in the development of stronger character choices.

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1.4.8.Pr4b

Use a variety of technical elements to create a design for a rehearsal or theatre production.

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1.4.8.Pr5a

Examine how character relationships assist in telling the story of devised or scripted theatre work.

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1.4.8.Pr5b

Use various character objectives and tactics in a theatre work to identify the conflict and overcome the obstacle.

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1.4.8.Pr6a

Perform a rehearsed theatrical work for an audience

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1.4.8.Re7a

Describe and record personal reactions to artistic choices in a theatrical work.

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1.4.8.Re7b

Compare recorded personal and peer reactions to artistic choices in a theatrical work.

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1.4.8.Re8a

Investigate various critique methodologies and apply the knowledge to respond to a theatrical work.

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1.4.8.Re8b

Justify the aesthetic choices created through the use of production elements in a theatrical work.

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1.4.8.Re8c

Assess the impact of a theatrical work on a specific audience.

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1.4.8.Re9a

Analyze how personal experiences affect artistic choices in a theatrical work.

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1.4.8.Re9b

Identify and interpret how different cultural perspectives influence the evaluation of theatrical work.

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1.4.8.Re9c

Examine how the use of personal aesthetics, preferences and beliefs can be used to discuss a theatrical work.

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N-16280

Responding

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N-17U2V

Organizing and developing ideas.

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N-19ORR

Synthesizing and relating knowledge and personal experiences to create products.

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N-1F2B0

Connecting

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N-1I3Z1

Applying criteria to evaluate products.

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N-1K2KD

Conveying meaning through art.

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N-1MYBT

Perceiving and analyzing products.

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N-1TFUD

Selecting, analyzing and interpreting work.

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N-A8JVV

Relating artistic ideas and works within societal, cultural and historical contexts to deepen understanding.

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N-EDJKH

Refining and completing products.

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N-GSHUW

Performing

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N-IKQ0R

Interpreting intent and meaning.

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N-LZGJ9

Generating and conceptualizing ideas.

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N-U9DLN

Developing and refining techniques and models or steps needed to create products.

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N-Y9JRA

Creating

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1.5.8.Cn10

Synthesizing and relating knowledge and personal experiences to create products

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1.5.8.Cn10a

Generate ideas to make art individually or collaboratively to positively reflect a group's identity.

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1.5.8.Cn11

Relating artistic ideas and works within societal, cultural, and historical contexts to deepen understanding

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1.5.8.Cn11a

Analyze and contrast how art forms are used to represent, establish, reinforce and reflect group identity and culture.

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1.5.8.Cn11b

Analyze and contrast how art forms are used to reflect global issues, including climate change.

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1.5.8.Cr1

Generating and conceptualizing ideas

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1.5.8.Cr1a

Conceptualize early stages of the creative process, including applying methods to overcome creative blocks or take creative risks, and document the processes in traditional or new media.

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1.5.8.Cr1b

Develop criteria, identify goals and collaboratively investigate an aspect of present-day life, using contemporary practice of art or design

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1.5.8.Cr2

Organizing and developing ideas

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1.5.8.Cr2a

Demonstrate persistence and willingness to experiment and take risks during the artistic process.

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1.5.8.Cr2b

Demonstrate an awareness of ethical responsibility as applied to artmaking including environmental implications, responsibility in sharing images online, appropriation, and intellectual property ethics.

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1.5.8.Cr2c

Apply, organize and strategize methods for design and redesign of objects, places, systems, images and words to clearly communicate information to a diverse audience.

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1.5.8.Cr3

Refining and completing products

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1.5.8.Cr3a

Use criteria to examine, reflect on and plan revisions for a work of art, and create an artistic statement.

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1.5.8.Pr4

Selecting, analyzing and interpreting work

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1.5.8.Pr4a

Investigate and analyze ways artwork is presented, preserved and experienced, including use of evolving technology. Evaluate a collection or presentation based on this criterion.

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1.5.8.Pr5

Developing and refining techniques and models or steps needed to create products

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1.5.8.Pr5a

Individually or collaboratively prepare and present theme-based artwork for display and formulate exhibition narratives.

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1.5.8.Pr6

Conveying meaning through art

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1.5.8.Pr6a

Analyze how exhibitions in different venues communicate meaning and influence ideas, beliefs and experiences.

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1.5.8.Re7

Perceiving and analyzing products

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1.5.8.Re7a

Explain how a person's aesthetic choices are influenced by culture and environment, and how they impact the way in which visual messages are perceived and conveyed.

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1.5.8.Re7b

Compare and contrast cultural and social contexts of visual arts and how they influence ideas and emotions.

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1.5.8.Re8

Interpreting intent and meaning

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1.5.8.Re8a

Interpret art by analyzing how the interaction of subject matter, characteristics of form and structure, use of media, art making approaches, and relevant contextual information contributes to understanding messages or ideas and mood conveyed.

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1.5.8.Re9

Applying criteria to evaluate products

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1.5.8.Re9a

Create a convincing and logical argument to support an evaluation of art. Explain the difference between personal and established criteria for evaluating artwork.

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N-1ANAB

Creating

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N-1SE32

Responding

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N-1VRED

Presenting

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N-DEM0P

Connecting

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