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Grade 2 Fine Arts NJSLS Standards

326 standards - New Jersey NJSLS

These are the official Grade 2 Fine Arts New Jersey NJSLS — the exact codes and student expectations grade 2 teachers are required to teach and NJSLA assesses. Browse every standard below, then generate a print-ready, NJSLS-aligned worksheet, lesson plan, exit ticket, or assessment for any of them in seconds.

Standards

1.3B.12acc.Cn10a

Demonstrate how interests, knowledge, and skills relate to personal choices and intent when creating, performing and responding to music.

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1.3B.12acc.Cn11a

Demonstrate how interests, knowledge and skills relate to personal choices and intent when creating, performing and responding to music.

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1.3B.12adv.C1a

Demonstrate how interests, knowledge and skills related to personal choices and intent when creating, performing and responding to music

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1.3B.12adv.C1a

Demonstrate how interests, knowledge, and skills related to personal choices and intent when creating, performing and responding to music.

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1.3B.12prof.Cn10a

Demonstrate how interests, knowledge, and skills relate to personal choices and intent when creating, performing, and responding to music.

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1.3B.12prof.Cn11a

Demonstrate how interests, knowledge and skills relate to personal choices and intent when creating, performing and responding to music.

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1.3C.12int.Cn10a

Demonstrate understanding of relationships between music and the other arts, other disciplines, varied contexts, and daily life.

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1.3C.12int.Cn11a

Demonstrate understanding of relationships between music and the other arts, other disciplines, varied contexts, and daily life.

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1.3C.12nov.Cn10a

Demonstrate understanding of relationships between music and the other arts, other disciplines, varied contexts, and daily life.

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1.3C.12nov.Cn11a

Demonstrate understanding of relationships between music and the other arts, other disciplines, varied contexts and daily life.

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1.3D.12acc.Cr1a

Create melodic, rhythmic and harmonic ideas for compositions (e.g., rounded binary, rondo), improvisations, accompaniment patterns in a variety of styles, as well as harmonization for given melodies.

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1.3D.12acc.Cr2a

Use standard notation and audio/video recording to document melodic, rhythmic and harmonic ideas for drafts of compositions (e.g., rounded binary, rondo), improvisations, accompaniment patterns in a variety of styles, as well as harmonization for given melodies.

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1.3D.12acc.Cr3a

Develop and apply criteria to critique, improve and refine drafts of compositions (e.g., rounded binary, rondo), improvisations, accompaniment patterns in a variety of styles, and harmonization for given melodies

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1.3D.12acc.Cr3b

Perform final versions of compositions (e.g., rounded binary, rondo), improvisations, accompaniment patterns in a variety of styles, as well as harmonization for given melodies, demonstrating technical skill in applying principles of composition, improvisation and originality.

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1.3D.12acc.Pr4a

Develop and apply criteria for selecting a varied collection of music for individual and small group performances that include melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of styles.

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1.3D.12acc.Pr4b

Identify and describe important theoretical and structural characteristics and context (e.g., social, cultural, historical) in a varied collection of music that includes melodies, repertoire pieces, improvisations and chordal accompaniments in a variety of styles.

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1.3D.12acc.Pr4c

Demonstrate and explain an understanding of the context (e.g., social, cultural, historical) and expressive intent in a varied collection of music selected for performance that includes melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of styles.

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1.3D.12acc.Pr5a

Develop and apply criteria to critique individual and small group performances of a varied collection of music that includes melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of styles, as well as create rehearsal strategies to address performance challenges and refine the performances.

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1.3D.12acc.Pr6a

Perform with expression and technical accuracy, individually and in small groups, a varied collection of music that includes melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of styles, while demonstrating sensitivity to the audience and an understanding of the context (e.g., social, cultural, historical).

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1.3D.12acc.Re7a

Apply criteria to select music for a variety of purposes, justifying choices citing knowledge of music and specified purpose and context.

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1.3D.12acc.Re7b

Apply personally developed criteria based on research, personal preference, analysis, interpretation, expressive intent, and musical qualities to evaluate contrasting individual and small group musical selections for listening.

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1.3D.12acc.Re8

Explain and support interpretations of the expressive intent and meaning of musical selections, citing as evidence the treatment of the elements of music, context (e.g., personal, social, cultural), the setting of the text (when appropriate), and varied researched sources.

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1.3D.12acc.Re9a

Explain how the analysis of the structures and context (e.g., social, cultural, historical) of contrasting musical selections informs the response.

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1.3D.12adv.Cr1a

Create melodic, rhythmic and harmonic ideas for a collection of compositions and improvisations in a variety of styles, as well as stylistically appropriate harmonization for given melodies.

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1.3D.12adv.Cr2a

Use standard notation and audio/video recording to document melodic, rhythmic and harmonic ideas for drafts of compositions and improvisations in a variety of styles as well as stylistically appropriate harmonization for given melodies.

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1.3D.12adv.Cr3a

Develop and apply criteria to critique, improve, and refine drafts of compositions and improvisations in a variety of styles, as well as stylistically appropriate harmonization for given melodies.

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1.3D.12adv.Cr3b

Perform final versions of a collection of compositions and improvisations in a variety of styles, as well as stylistically appropriate harmonization for given melodies, demonstrating technical skill in applying principles of composition, improvisation and originality.

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1.3D.12adv.Pr4a

Develop and apply criteria for selecting a variety of pieces for a program of music for individual and small group performances that include melodies, repertoire pieces, stylistically appropriate accompaniments, and improvisations in a variety of contrasting styles.

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1.3D.12adv.Pr4b

Identify and describe important theoretical and structural characteristics and context (e.g., social, cultural, historical) in a varied collection of music selected for performance programs that includes melodies, repertoire pieces, stylistically appropriate accompaniments, and improvisations in a variety of contrasting styles.

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1.3D.12adv.Pr4c

Explain and present an understanding of the context (e.g., social, cultural, historical) and the creator’s intent in a varied collection of music for performance programs that include melodies, repertoire pieces, stylistically appropriate accompaniments, and improvisations in a variety of contrasting styles.

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1.3D.12adv.Pr5a

Develop and apply criteria, including feedback from multiple sources, to critique varied collection of music for performance programs (e.g., melodies, repertoire pieces, stylistically appropriate accompaniments, improvisations in a variety of contrasting styles) selected for individual and small group performance, as well as create rehearsal strategies to address performance challenges and refine the performances.

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1.3D.12adv.Pr6a

Perform with expression and technical accuracy, individually and in small groups, a varied collection of music for performance programs that includes melodies, repertoire pieces, stylistically appropriate accompaniments, and improvisations in a variety of contrasting styles, while demonstrating sensitivity to the audience and an understanding of the context (e.g., social, cultural, historical).

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1.3D.12adv.Re7a

Select, describe and compare a variety of individual and small group musical programs from varied cultures, genres and historical periods.

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1.3D.12adv.Re7b

Develop and justify evaluations of a variety of individual and small group musical selections for listening based on personally developed and established criteria, personal decision making, and knowledge and understanding of context.

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1.3D.12adv.Re8

Establish and justify interpretations of the expressive intent and meaning of musical selections by comparing and synthesizing varied researched sources, including references to other art forms

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1.3D.12adv.Re9a

Demonstrate and justify how the structure functions within a variety of musical selections, and distinguish how context (e.g., social, cultural, historical) and creative decisions inform the response.

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1.3D.12int.Cr1a

Create melodic, rhythmic and harmonic ideas for melodies over specified chord progressions or AB/ABA forms as well as two to three-chord accompaniments for given melodies.

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1.3D.12int.Cr2a

Use standard notation and audio/video recording to document melodic, rhythmic and harmonic ideas for drafts of melodies over specified chord progressions or AB /ABA forms as well as two-to-three-chord accompaniments for given melodies.

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1.3D.12int.Cr3a

Apply teacher or student-provided criteria to critique, improve and refine drafts of melodies over specified chord progressions or AB/ABA forms as well as two-to-three-chord accompaniments for given melodies.

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1.3D.12int.Cr3b

Share final versions of melodies over specified chord progressions or AB/ABA forms as well as two-to-three-chord accompaniments for given melodies, demonstrating an understanding of how to develop and organize personal musical ideas.

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1.3D.12int.Pr4a

Describe and demonstrate how a varied collection of music that includes melodies, repertoire pieces and chordal accompaniments is selected, based on personal interest, music reading skills, identified technical challenges that need to be addressed, and the performance context.

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1.3D.12int.Pr4b

Identify prominent melodic, harmonic, and structural characteristics and context (e.g., social, cultural, historical) in a varied collection of music that includes melodies, repertoire pieces and chordal accompaniments selected for performance, including some based on reading standard notation.

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1.3D.12int.Pr4c

Demonstrate and describe an understanding of the context (e.g., social, cultural, historical) and expressive intent in a varied collection of music selected for performance that includes melodies, repertoire pieces and chordal accompaniments

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1.3D.12int.Pr5a

Apply teacher or student-provided criteria to critique individual performances of a varied collection of music that includes melodies, repertoire pieces and chordal accompaniments selected for performance. Identify practice strategies to address performance challenges and refine the performances.

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1.3D.12int.Pr6a

Perform with expression and technical accuracy a varied collection of music that includes melodies, repertoire pieces and chordal accompaniments, while demonstrating sensitivity to the audience and an understanding of the context (e.g., social, cultural, historical).

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1.3D.12int.Re7a

Explain the reasons for selecting music citing characteristics found in the music and connections to interest, purpose and context.

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1.3D.12int.Re7b

Explain the influence of experiences and contexts (e.g., personal, social, cultural) on interest in and the evaluation of a varied repertoire of music.

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1.3D.12int.Re8a

Identify and support interpretations of the expressive intent and meaning of musical selections, citing as evidence the treatment of the elements of music, context, and the setting of the text (when appropriate).

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1.3D.12int.Re9a

Describe how the elements of music are manipulated and knowledge of the context (e.g., social, cultural) informs the response.

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1.3D.12nov.Cr1a

Create melodic, rhythmic and harmonic ideas for simple melodies as well as chordal accompaniments for given melodies.

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1.3D.12nov.Cr2a

Use standard notation or audio/video recording to document melodic, rhythmic and harmonic ideas for drafts of simple melodies as well as chordal accompaniments for given melodies.

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1.3D.12nov.Cr3a

Apply teacher or student-provided criteria to critique, improve and refine drafts of simple melodies as well as chordal accompaniments for given melodies.

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1.3D.12nov.Cr3b

Share final versions of simple melodies and chordal accompaniments for given melodies, demonstrating an understanding of how to develop and organize personal musical ideas.

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1.3D.12nov.Pr4a

Describe and demonstrate how a varied collection of music that includes melodies, repertoire pieces, and chordal accompaniments is selected, based on personal interest, music reading skills, technical skill, and the performance context.

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1.3D.12nov.Pr4b

Identify prominent melodic and harmonic characteristics in a varied collection of music that includes melodies, repertoire pieces and chordal accompaniments selected for performance, including some based on reading standard notation.

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1.3D.12nov.Pr4c

Demonstrate and describe an understanding of the context and expressive intent in a varied collection of music selected for performance that includes melodies, repertoire pieces and chordal accompaniments.

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1.3D.12nov.Pr5a

Apply teacher or student-provided criteria to critique individual performances of a varied collection of music that includes melodies, repertoire pieces and chordal accompaniments selected for performance. Apply practice strategies to address performance challenges and refine the performances.

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1.3D.12nov.Pr6a

Perform with expression and technical accuracy a varied collection of music that includes melodies, repertoire pieces and chordal accompaniments, while demonstrating an understanding of the audience and the context.

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1.3D.12nov.Re7a

Identify reasons for selecting music based on characteristics found in the music, connection to interest and purpose or context.

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1.3D.12nov.Re7b

Identify and describe how interest, experiences and contexts (e.g., personal, social) effect the evaluation of music.

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1.3D.12nov.Re8a

Identify interpretations of the expressive intent and meaning of musical selections, referring to the elements of music, context (e.g., personal, social), and the setting of the text (when appropriate).

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1.3D.12nov.Re9a`

Identify how knowledge of context and the use of repetition, similarities and contrasts inform the response to music.

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1.3D.12prof.Cr1a

Create melodic, rhythmic and harmonic ideas for improvisations, compositions (e.g., theme and variation, 12-bar blues), as well as three-or-more-chord accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, finger picking patterns).

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1.3D.12prof.Cr2a

Use standard notation and audio/video recording to document melodic, rhythmic and harmonic ideas for drafts of improvisations, compositions (e.g., theme and variation, 12-bar blues), as well as three-or-more- chord accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, finger picking patterns)

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1.3D.12prof.Cr3a

Develop and apply criteria to critique, improve and refine drafts of improvisations, compositions (e.g., theme and variation, 12-bar blues), as well as three-or-morechord accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, fingerpicking patterns).

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1.3D.12prof.Cr3b

Perform final versions of improvisations, compositions (e.g., theme and variation, 12-bar blues), and three-or-more-chord accompaniments in a variety of patterns (e.g. arpeggio, country and gallop strumming, fingerpicking patterns), demonstrating technical skill in applying principles of composition, improvisation and originality.

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1.3D.12prof.Pr4a

Explain the criteria used when selecting a varied collection of music for individual or small group performances that include melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, finger picking patterns).

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1.3D.12prof.Pr4b

Identify and describe important theoretical and structural characteristics and context (e.g., social, cultural, historical) in a varied collection of music that includes melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, finger picking patterns).

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1.3D.12prof.Pr4c

Demonstrate and describe an understanding of the context (e.g., social, cultural, historical) and expressive intent in a varied collection of music selected for performance that includes melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, finger picking patterns).

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1.3D.12prof.Pr5a

Develop and apply criteria to critique individual and small group performances of a varied collection of music that includes melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, fingerpicking patterns). Create rehearsal strategies to address performance challenges and refine the performances.

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1.3D.12prof.Pr6a

Perform with expression and technical accuracy, individually and in small groups, a varied collection of music that includes melodies, repertoire pieces, improvisations, and chordal accompaniments in a variety of patterns (e.g., arpeggio, country and gallop strumming, finger picking patterns), while demonstrating sensitivity to the audience and an understanding of the context (e.g., social, cultural, historical).

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1.3D.12prof.Re7a

Apply criteria to select music for specified purposes, supporting choices by citing characteristics found in the music and connections to interest, purpose and context.

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1.3D.12prof.Re7b

Develop and apply teacher or student-provided criteria based on personal preference, analysis and context (e.g., personal, social, cultural) to evaluate individual and small group musical selections for listening.

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1.3D.12prof.Re8a

Explain and support interpretations of the expressive intent and meaning of musical selections, citing as evidence the treatment of the elements of music, context (e.g., personal, social, cultural), the setting of the text (when appropriate), and outside sources.

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1.3D.12prof.Re9a

Compare passages in musical selections and explain how the elements of music and context (e.g., social, cultural, historical) inform the response.

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N-10FX8

Novice

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N-10QES

Performing

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N-11TP0

Proficient

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N-12FB4

Accomplished

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N-12PQR

Accomplished

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N-13SSX

Organizing and developing ideas.

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N-14V91

Proficient

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N-15V1S

Intermediate

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N-16N21

Selecting, analyzing and interpreting work.

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N-177NW

Proficient

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N-17OF8

Intermediate

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N-188CW

Advanced

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N-1ACEX

Advanced

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N-1AZGQ

Advanced

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N-1B19F

Advanced

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N-1D3LJ

Applying criteria to evaluate products.

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N-1DA48

Intermediate

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N-1EAFE

Intermediate

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N-1IL2W

Advanced

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N-1IXZK

Novice

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N-1J1EK

Perceiving and analyzing products

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N-1J59O

Proficient

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N-1JRWO

Novice

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N-1KP33

Intermediate

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N-1LJKH

Intermediate

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N-1MMSQ

Relating artistic ideas and works within societal, cultural and historical contexts to deepen understanding

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N-1MYFZ

Accomplished

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N-1NTKZ

Accomplished

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N-1NZD3

Novice

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N-1P5W7

Accomplished

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N-1QOA5

Accomplished

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N-1RKBQ

Novice

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N-1RSJW

Advanced

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N-1S6HH

Novice

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N-1SDP5

Synthesizing and relating knowledge and personal experiences to create products.

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N-1VQX1

Advanced

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N-1XFX4

Developing and refining techniques and models or steps needed to create products.

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N-1XII3

Interpreting intent and meaning.

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N-1YJ7R

Proficient

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N-1YPKA

Proficient

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N-1YXQ1

Intermediate

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N-3IYM4

Proficient

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N-4QO56

Accomplished

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N-54UHG

Advanced

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N-6JGTD

Accomplished

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N-70HJ2

Creating

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N-8ESSG

Proficient

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N-C8S3P

Advanced

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N-EA9VG

Intermediate

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N-HWNJ4

Intermediate

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N-I8BMO

Novice

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N-J1L7A

Novice

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N-JRIDJ

Generating and conceptualizing ideas.

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N-K0KNH

Intermediate

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N-KFAUH

Novice

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N-KLONZ

Accomplished

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N-L3YKI

Accomplished

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N-MKT1K

Proficient

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N-MNWYP

Accomplished

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N-OS9B9

Advanced

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N-OTNSS

Conveying meaning through art

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N-PH9JK

Novice

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N-PP93R

Responding

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N-QFMSU

Intermediate

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N-QXG96

Proficient

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N-RFJK0

Refining and completing products.

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N-TQUU5

Connecting

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N-VBLSL

Proficient

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N-XXR0A

Advanced

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N-ZLYCS

Novice

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1.3A.2.Cn10a

Demonstrate how interests, knowledge and skills relate to personal choices and intent when creating, performing and responding to music.

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1.3A.2.Cn11a

Demonstrate understanding of relationships between music and the other arts, other disciplines, varied contexts, and daily life.

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1.3A.2.Cr1a

Explore, create and improvise musical ideas using rhythmic and melodic patterns in various meters and tonalities.

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1.3A.2.Cr2a

Demonstrate and explain personal reasons for selecting patterns and ideas for music that represent expressive intent.

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1.3A.2.Cr2b

Use iconic or standard notation and/or recording technology to organize and document personal musical ideas.

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1.3A.2.Cr3a

Interpret and apply personal, peer and teacher feedback to revise personal music.

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1.3A.2.Cr3b

Convey expressive intent for a specific purpose by presenting a final version of musical ideas to peers or informal audience.

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1.3A.2.Pr4a

Demonstrate and explain personal interest in, knowledge about, and purpose of varied musical selections.

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1.3A.2.Pr6a

Perform music for a specific purpose with expression and technical accuracy.

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1.3A.2.Pr6b

Perform appropriately for the audience and purpose.

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1.3A.2.Re7a

Demonstrate and explain how personal interests and experiences influence musical selection for specific purposes

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1.3A.2.Re7b

Describe how specific music concepts are used to support a specific purpose in music

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1.3A.2.Re8a

Demonstrate basic knowledge of music concepts and how they support creators’/performers’ expressive intent.

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1.3A.2.Re9a

Apply personal and expressive preferences in the evaluation of music.

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1.3A.2Pr5a

Apply established criteria to judge the accuracy, expressiveness and effectiveness of performance.

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1.3A.2Pr5b

Rehearse, identify and apply strategies to address interpretive, performance and technical challenges of music.

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1.3A.2Pr5c

Demonstrate knowledge of basic music concepts (e.g. tonality and meter) in music from a variety of cultures selected for performance.

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1.3A.2Pr5d

When analyzing selected music, read and perform rhythmic and melodic patterns using iconic or standard notation

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1.3A.2Pr5e

Demonstrate understanding of basic expressive qualities (e.g., dynamics, tempo) and how creators use them to convey expressive intent.

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N-135T0

Developing and refining techniques and models or steps needed to create products.

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N-153TA

Performing

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N-17OLG

Applying criteria to evaluate products.

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N-1CHPR

Conveying meaning through art.

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N-1SD38

Synthesizing and relating knowledge and personal experiences to create products

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N-1XJ7Y

Responding

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N-1XYV2

Generating and conceptualizing ideas.

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N-37B0D

Interpreting intent and meaning.

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N-6982C

Organizing and developing ideas.

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N-AFNCA

Creating

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N-LT3W5

Relating artistic ideas and works within societal, cultural, and historical contexts to deepen understanding.

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N-NRGJ2

Refining and completing products.

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N-W0O9A

Connecting

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N-Z8BFE

Selecting, analyzing, and interpreting work.

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N-ZQXEF

Perceiving and analyzing products.

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1.1.2.Cn10a

Examine how certain movements are used to express an emotion or experience in a dance that is observed or performed.

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1.1.2.Cn10b

Using an inquiry-based set of questions examine global issues, including climate change as a topic for dance.

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1.1.2.Cn11a

Observe a dance and relate the movement to the people or environment in which the dance was created and performed.

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1.1.2.Cr

Creating

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1.1.2.Cr.1

Generating and conceptualizing ideas.

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1.1.2.Cr.2

Organizing and developing ideas.

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1.1.2.Cr1a

Demonstrate movement in response to a variety of sensory stimuli (e.g., music, imagery, objects) and suggest additional sources for movement ideas.

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1.1.2.Cr1b

Combine movements using the elements of dance to solve a movement problem

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1.1.2.Cr2a

Create a movement sequence with a beginning, middle and end. Incorporate the use of a choreographic device.

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1.1.2.Cr2b

Develop a dance study by selecting a specific movement vocabulary to communicate a main idea. Discuss how the dance communicates nonverbally.

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1.1.2.Cr3a

Explore suggestions and make choices to change movement from guided improvisation and/or short remembered sequences.

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1.1.2.Cr3b

Document a dance-making experience through drawing, painting, writing, symbols, mapping, collaging, photo sequencing, photo captioning, video captioning, etc.

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1.1.2.Pr4a

Perform planned and improvised movement sequences, with variations in direction ( e.g., forward/backward, up/down, big/small, sideways, right/left, diagonal), spatial level (e.g., low, middle, high), and spatial pathways (e.g., straight, curved, circular, zigzag), alone and in small groups

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1.1.2.Pr4b

Perform planned and improvised movement sequences, with variations in tempo, meter, and rhythm, alone and in small groups.

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1.1.2.Pr4c

Demonstrate contrasting dynamics and energy with accuracy (e.g., loose/tight, light/heavy, sharp/smooth).

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1.1.2.Pr5a

Identify personal and general space to share space safely with other dancers. Categorize healthful strategies (e.g., nutrition, injury prevention, emotional health, overall functioning) essential for the dancer.

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1.1.2.Pr5b

Identify basic body parts and joints (e.g., limb, bone) and joint actions (e.g., bend, rotate). Examine how basic body organs (e.g., brain, lungs, heart) relate and respond to dance movements.

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1.1.2.Pr5c

Explore the use of spine and pursue use of elongated spine. Demonstrate body organization (e.g., core/distal, head/tail, upper/lower half lateral) and explore cross-lateral body organization. Demonstrate holding a shape in the body while traveling through space.

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1.1.2.Pr5d

Explore a variety of body positions requiring a range of strength, flexibility and core support

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1.1.2.Pr5e

Explore locomotor action vocabulary (e.g., gallop, hop, slide, skip) and non-locomotor action vocabulary (e.g., bending, stretching, twisting) and execute codified movements from various styles/genres with genre specific alignment. Demonstrate, through focused practice and repetition (e.g., breath control, body part initiations, body sequencing).

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1.1.2.Pr6a

Explore how visualization, motor imagery and breath can enhance body mechanics and the quality of a movement skill.

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1.1.2.Pr6b

Rehearse a simple dance using full body movement. Demonstrate the ability to recall the sequence and spatial elements.

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1.1.2.Pr6c

Dance for and with others in a designated space identifying a distinct area for audience and performers.

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1.1.2.Pr6d

Use simple production elements (e.g., hand props, scenery, media projections) in a dance work.

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1.1.2.Re7a

Demonstrate movements in a dance that develop patterns

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1.1.2.Re7b

Observe and describe performed dance movements from a specific genre or culture.

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1.1.2.Re8a

Observe a movement from a dance or phrase and explain how the movement captures a meaning or intent using simple dance terminology.

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1.1.2.Re9a

Describe the characteristics that make several movements in a dance interesting. Use basic dance terminology.

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N-1OUDN

Refining and completing products.

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N-1QY20

Connecting

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N-1TIFR

Developing and refining techniques and models or steps needed to create products

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N-1XS7E

Conveying meaning through art.

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N-7OWJO

Selecting, analyzing, and interpreting work.

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N-BIUXX

Interpreting intent and meaning

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N-BJWR6

Perceiving and analyzing products

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N-BPKC4

Applying criteria to evaluate products

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N-HDKNG

Synthesizing and relating knowledge and personal experiences to create products.

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N-KN0GP

Responding

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N-L0PKW

Relating artistic ideas and works within societal, cultural, and historical contexts to deepen understanding.

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1.2.2.Cn10a

Use personal experiences, interests, information and models in creating media artworks.

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1.2.2.Cn10b

Share and discuss experiences of media artworks, describing their meaning and purpose.

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1.2.2.Cn11a

Discuss and demonstrate how media artworks, messages environments and ideas relate to everyday and cultural life, such as daily activities, popular media, connections with family and friends.

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1.2.2.Cn11b

Interact appropriately with media arts tools and environments considering safety, rules and fairness.

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1.2.2.Cr1a

Discover, share and express ideas for media artworks through experimentation, sketching and modeling.

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1.2.2.Cr1b

Brainstorm and improvise multiple ideas using a variety of tools, methods and materials.

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1.2.2.Cr1c

Explore form ideas for media art production with support.

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1.2.2.Cr1d

Connect and apply ideas for media art production.

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1.2.2.Cr1e

Choose ideas to create plans for media art production.

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1.2.2.Cr2a

Explore form ideas for media art production with support.

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1.2.2.Cr2b

Connect and apply ideas for media art production

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1.2.2.Cr2c

Choose ideas to create plans for media art production.

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1.2.2.Cr3a

Create and assemble content for media arts productions, identifying basic principles (e.g., pattern, positioning, attention, and repetition.)

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1.2.2.Cr3b

Identify and describe the effects of altering, refining and completing media artworks.

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1.2.2.Pr4a

With guidance and moving towards independence, combine art forms and media content into media artworks such as an illustrated story or narrated animation.

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1.2.2.Pr4b

Practice combining varied academic, arts and media content to form media artworks.

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1.2.2.Pr5a

Identify and enact basic skills such as handling tools, making choices, and soft skills for planning and creating media artworks.

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1.2.2.Pr5b

Identify, describe and demonstrate basic creative skills such as trial-and-error and playful practice, within media arts production.

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1.2.2.Pr5c

Discover, experiment with and demonstrate creative skills for media artworks.

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1.2.2.Pr6a

With guidance and moving towards independence, identify, share and discuss reactions to and experiences of the presentation of media artworks.

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1.2.2.Re7a

Identify, share and describe the components and messages in media artwork.

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1.2.2.Re7b

Identify, share and describe a variety of media artworks created from different experiences in response to global issues including climate change.

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1.2.2.Re8a

Share observations, identify the meanings, and determine the purposes of media artworks, considering personal and cultural context.

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1.2.2.Re9a

Share appealing qualities, identify the effective parts, and discuss improvements for media artworks, considering their context.

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N-101IF

Developing and refining techniques and models or steps needed to create products.

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N-14Q89

Selecting, analyzing, and interpreting work.

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N-16K9M

Generating and conceptualizing ideas.

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N-1A4RF

Applying criteria to evaluate products.

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N-1LPGJ

Creating

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N-1RQ4R

Refining and completing products.

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N-1UF6F

Producing

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N-1V3XV

Perceiving and analyzing products.

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N-5NWMD

Responding

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N-7YOI1

Relating artistic ideas and works within societal, cultural, and historical contexts to deepen understanding.

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N-EUO9Z

Synthesizing and relating knowledge and personal experiences to create products.

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N-HKWEV

Connecting

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N-HNTPZ

Interpreting intent and meaning

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N-MB3UW

Organizing and developing ideas.

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N-MNFZE

Conveying meaning through art.

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1.4.2.Cn10a

With prompting and support, identify similarities between characters in dramatic play or a guided drama experience and relate character emotions and experiences to personal experiences of self and peers (e.g., process drama, story drama, creative drama).

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1.4.2.Cn11a

With prompting and support, identify similarities and differences in stories and various art forms from one’s own community and from multiple cultures in a guided drama (e.g., process drama, story drama, creative drama) experience about global issues, including climate change.

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1.4.2.Cn11b

Collaborate on the creation of a short scene based on personal perspectives and understandings.

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1.4.2.Cr1a

Propose potential character choices and plot details in a guided drama experience (e.g., process drama, story drama, creative drama).

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1.4.2.Cr1b

Collaborate with peers to conceptualize props, costumes and scenery in a guided drama experience (e.g., process drama, story drama, creative drama).

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1.4.2.Cr1c

Identify ways in which voice, gestures, movements, and sounds may be used to create or retell a story in guided drama experiences (e.g., process drama, story drama, creative drama).

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1.4.2.Cr2a

Contribute to the development of a sequential plot; collaborate with peers to devise a meaningful dialogue in a guided drama experience (e.g., process drama, story drama, creative drama).

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1.4.2.Cr2b

Contribute original ideas and make decisions as a group to advance a story in a guided drama experience (e.g., process drama, story drama, creative drama).

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1.4.2.Cr3a

With prompting and support, contribute to the adaption of plot and dialogue in a guided drama experience (e.g., process drama, story drama, creative drama).

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1.4.2.Cr3b

Identify similarities and differences in sounds and movements in a guided drama experience (e.g., process drama, story drama, creative drama).

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1.4.2.Cr3c

Independently imagine multiple representations of an object in a guided drama experience (e.g., process drama, story drama, creative drama) and collaboratively create multiple representations of an object in a guided drama experience (e.g., process drama, story drama, creative drama).

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1.4.2.Pr4a

With prompting and support, demonstrate the physical movement, voice and sound which are fundamental to creating drama experiences (e.g., process drama, story drama, creative drama).

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1.4.2.Pr4b

Explore and experiment with various technical elements in a guided drama experience (e.g., process drama, story drama, creative drama).

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1.4.2.Pr5a

With prompting and support interpret story elements (e.g., character, setting) in a guided drama experience (e.g., process drama, story drama, creative drama).

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1.4.2.Pr5b

Utilize body and facial gestures with a change in voice to communicate character traits and emotions in a guided drama experience (e.g., process drama, story drama, creative drama).

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1.4.2.Pr6a

Use voice, sound, movement, and gestures to communicate emotions in a guided drama experience; informally share guided drama experiences (e.g., process drama, story drama, creative drama) with peers.

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1.4.2.Re7a

Express emotional responses to characters to recall and recognize when artistic choices are made in a guided drama experience (e.g., process drama, story drama, creative drama).

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1.4.2.Re8a

With prompting and support, actively engage and build on others' ideas in dramatic play or a guided drama experience (e.g., process drama, story drama, creative drama).

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1.4.2.Re8b

Identify and use props and costumes that might be used in a guided drama experience (e.g., process drama, story drama, creative drama).

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1.4.2.Re8c

Compare and contrast how characters respond to challenges in a guided drama experience (e.g., process drama, story drama, creative drama).

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1.4.2.Re9a

With prompting and support, identify and explain preferences and emotions in a guided drama experience (e.g., process drama, story drama, creative drama), or theatre performance, and explain how personal preferences and emotions affect an observer's response in a guided drama experience (e.g., process drama, story drama, creative drama), or theatre performance.

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1.4.2.Re9b

With prompting and support, name and describe settings and identify causes of character actions in a guided drama experience (e.g., process drama, story drama, creative drama).

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1.4.2.Re9c

Explain or use text and pictures to describe how personal emotions and/or others' emotions and choices compare to the emotions and choices of characters in a guided drama experience. (e.g., process drama, story drama, creative drama).

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N-17IFB

Synthesizing and relating knowledge and personal experiences to create products.

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N-1AKU4

Interpreting intent and meaning.

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N-1BOUV

Relating artistic ideas and works within societal, cultural, and historical contexts to deepen understanding.

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N-1NL7C

Performing

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N-1TX8L

Organizing and developing ideas.

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N-3KMRO

Selecting, analyzing, and interpreting work.

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N-69M8B

Generating and conceptualizing ideas.

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N-7S5EW

Applying criteria to evaluate products.

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N-8ODD5

Perceiving and analyzing products.

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N-DTKP7

Conveying meaning through art.

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N-E9490

Developing and refining techniques and models or steps needed to create products.

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N-HZS0O

Responding

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N-LMF1W

Refining and completing products.

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N-RQF64

Connecting

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N-TN9H5

Creating

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1.5.2.Cn10.a.

Create art that tells a story or describes life events in home, school and community.

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1.5.2.Cn11.a.

Compare, contrast, and describe why people from different places and times make art.

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1.5.2.Cn11.b

Describe why people from different places and times make art about different issues, including climate change.

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1.5.2.Cr1.a.

Engage in individual and collaborative exploration of materials and ideas through multiple approaches, from imaginative play to brainstorming, to solve art and design problems.

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1.5.2.Cr1.b.

Engage in individual and collaborative art making through observation and investigation of the world, and in response to personal interests and curiosity.

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1.5.2.Cr2.a.

Through experimentation, build skills and knowledge of materials and tools through various approaches to art making.

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1.5.2.Cr2.b.

Demonstrate safe procedures for using and cleaning art tools, equipment and studio spaces.

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1.5.2.Cr2.c.

Create art that represents natural and constructed environments. Identify and classify uses of everyday objects through drawings, diagrams, sculptures or other visual means including repurposing objects to make something new.

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1.5.2.Cr3.a.

Explain the process of making art, using art vocabulary. Discuss and reflect with peers about choices made while creating art.

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1.5.2.Pr4.a.

Select artwork for display, and explain why some work, objects and artifacts are valued over others. Categorize artwork based on a theme or concept for an exhibit.

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1.5.2.Pr5.a.

Explain the purpose of a portfolio or collection. Ask and answer questions regarding preparing artwork for presentation or preservation.

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1.5.2.Pr6.a.

Explain what an art museum is and identify the roles and responsibilities of the people who work in and visit museums and exhibit spaces. Analyze how art exhibits inside and outside of schools (such as museums, galleries, virtual spaces, and other venues) contribute to communities.

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1.5.2.Re7.a.

Identify works of art based on personal connections and experiences. Describe the aesthetic characteristics within both the natural and constructed world.

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1.5.2.Re7.b.

Describe, compare, and categorize visual artworks, based on subject matter and expressive properties.

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1.5.2.Re8.a.

Categorize and describe works of art, by identifying subject matter, details, mood, and formal characteristics.

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1.5.2.Re9.a

Use art vocabulary to explain preferences in selecting and classifying artwork.

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N-158V1

Investigate

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N-1DKKA

Connecting

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N-1ETY0

Share

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N-1JBLA

Interpret

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N-1K8JG

Perceive

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N-1WS2V

Responding

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N-2YVWY

Select

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N-7NEG1

Presenting

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N-APQVK

Synthesize

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N-BB76N

Analyze

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N-DWA22

Reflect, Refine, Continue

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N-KS4ZI

Explore

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N-SSF2R

Creating

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N-UWTDU

Relate

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N-VCR4Y

Analyze

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